Deutsch       English
15May/120

17th lightGIANTS Friday night shoot. 30.03.2012 “Creative Minimalism”

The idea behind this shoot was based on several youtube videos and DVDs I have watched over the last few years. They were all about using just the minimum amount if equipment to get the best result. As several of the last work shops have had quiet complicated lighting set ups I thought it would be great to use just 1 Bowens flash and 1 or 2 reflectors. Although I limited the number light sources I didn't want to limit the light modifiers, this way we could create totally different looks easily e.g. Hard light vs Soft light, Direct light vs indirect light or Large light source vs Small light source.

Markus Meier

m arx1 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   m arx2 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   m arx3 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism

Roland Preussmann

ropmann1 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   ropmann2 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   ropmann3 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism

Scott Lewis

shotbyscott12 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   shotbyscott22 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   shotbyscott32 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism

It was a long night.... With 4 models and 5 lighting setups we ended up shooting for about 6 1/2 hours. So thanks every one for putting in such a great effort. We started of with a large Octobox behind the models and 2 reflectors in-front, we shot from a position between the reflectors. This achieved a strong back lighting and the reflectors threw enough light into the faces that the models weren't just a silhouette. This lighting design can deliver great results but you need to keep the "Inverse square law" in the back of your head. The next few set ups were variations of 1 softbox and 1 or 2 reflector. The last set up was 1 large parabolic dish set up opposite a sofa.

Christian Konrad

shrewd1 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   shrewd2 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   shrewd3 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism

Thorsten Rüger

thorsten1 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   thorsten2 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   thorsten3 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism

I also deliberately used different depth of field for each set up this way each lighting construction had a totally different feel to it. To add to the different feel we shot different poses head shoulders, 2/3 body , full body and sitting. Everyone had a great evening which makes me happy, as I put a lot of time and effort into organising the Friday night shoots. I have at least 5 or 6 more one flash set ups floating around in my head so there may be a "Creative Minimalism 2.0" latter this year.

Markus Wochele

wochele2 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   wochele1 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   wochele3 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism

Jan Brinker

wookeeh1 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   wookeeh21 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   wookeeh31 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism

Unfortunately our in house video production crew (2dudes) were busy and couldnt make it to the shoot icon sad 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism ..... But thanks to M-Arx and Thorsten, they shoot some "making of" footage during the night so that the 2 dudes had something to edit.

diagram medium5 w618 h433 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   diagram medium2 w376 h433 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism   diagram medium w608 h428 150x150 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism

dsc1626 w700 h560 300x240 17th lightGIANTS Friday night shoot. 30.03.2012 Creative Minimalism

28Sep/110

10th lightGIANTS Friday night shoot. “Glamours/GQ style”

This time the Friday night shoot theme was based around fashion magazines like GQ. To achieve  this high fashion looks we had 2 models "sandra" and "lars" (Some of you my recognise Sandra from my rocker girl shoot). Speaking very generally mens' fashion mags tend to use a lot harder light source them womens' magazines. There for we limited the the lights sources to beauty dishes, large parabolic umbrellas and a ring flash.

Benita

img 7123.1 w467 h700 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style img 6995.2 w467 h700 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style img 6949 w467 h700 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style

Johannes Konrad

mg 8724 w700 h560 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style mg 8811 w467 h700 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style i 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style

Patrick

pn7 1732 hdr w700 h464 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style pn7 1744 01 w700 h464 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style pn7 1769 w700 h464 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style

One thing i noticed very early in the shoot is that a 2m umbrella can (that we were using as a fill flash), was putting out way to much light although it was set to minimum power.  My mistake was that the silver umbrella was so large and so close to the subject, that it was acting as a reflector for the key light. After a slight bit of repositioning the problem was solved.

Scott Lewis

gq 105 w467 h700 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style gq 110 w467 h700 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style gq 113 w467 h700 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style

Thomas Reimann

img 2543 w700 h467 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style img 2724 w460 h700 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style img 2688 w467 h700 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style

Markus Wochele

pv 20110826 203221 2714 w467 h700 e1317059670875 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style pv 20110826 205508 2742 w467 h700 e1317059695990 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style pv 20110827 002700 2809 w467 h700 e1317059726557 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style

For a lot of the solo photos of Lars we only used a beauty dish with a honeycomb grid. That extra hard light works wonders on is chiseled cheek bones and jaw line. Maybe we should have added a hair light for a bit of separation, but at the time the results were looking good.

i 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style i 1 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style i 2 150x150 10th lightGIANTS Friday night shoot. Glamours/GQ style

and if its finished in time...... the world famous making of video icon smile 10th lightGIANTS Friday night shoot. Glamours/GQ style

pv 20110826 225920 2789 w700 h467 300x200 10th lightGIANTS Friday night shoot. Glamours/GQ style