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4Apr/124

16th lightGIANTS Friday night shoot. “Looners”

I have seen a few photos around the internet taken in a studio with balloons but when looking at most of them I thought they only out in 50% effort and needed to fill more space with balloons. Last year I was photographing a wedding and one of the guests had a extremely large bunch of balloons, there was a few kids that kept hiding among the balloons and every now and then you would see a hand or a head sticking out. All I could think was..... "I have to do this in the studio". So we blew up 400 black and white balloons and started to shoot.

Andreas Schott

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Benita Kuttelwascher

benita1 150x150 16th lightGIANTS Friday night shoot.  Looners   benita2 150x150 16th lightGIANTS Friday night shoot.  Looners   benita3 150x150 16th lightGIANTS Friday night shoot.  Looners

Scott Lewis

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The lighting concept was to keep the shadows and contrast that separated all the objects in the photo. When you have a lot of items the same colour in your photos you need to control the angel of the lighting so that shadows still fall where you require them. What we didn't think of was how much static was involved, it played havoc with the models hair. Next time ill be a bit more prepared.

Marco Spalluto

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Laura Gube

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Markus Wochele 

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We only used 2 different lighting set-ups. But they couldn't have been more  different. The first set up was a large octo-box from directly above the models pointing down, using the balloons to reflect light back up for a bit of fill light. The second set-up was 2 strip lights set horizontally on both sides of the studio, and set down at eye level.

Thomas Reimann

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And finally the world famous Making of/behind the screens video

15Mar/123

15th lightGIANTS Friday night shoot “Retro Games”

Wir wollten 2012 mit etwas anderem beginnen. Dank RetroGames e.V. konnten wir das Studio in eine kleine Spielhalle verwandeln und oben drauf hatten wir noch 3 fantastische Models. Die Idee hinter dem Shooting war eine kontrollierte Beleuchtung mit Lichtformern und Wabenfiltern damit nur die Models und Spielautomaten beleuchtet werden. Zuletzt haben wir eine Nebelmaschine und Farbfilter hinzugefügt. Hier und da haben wir noch kleine Softboxen eingesetzt wenn an manchen Stellen etwas mehr Licht benötigt wurde.

Jan Brinker

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Benita Kuttelwascher

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Tobias Gaugler

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Scott Lewis

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Je später es wurde, um so aufwendiger wurde auch die Beleuchtung und um ehrlich zu sein, ich kann mich nicht mehr an jedes Set-up erinnern. Zumal die Set-ups sich sehr schnell änderten. Aber das Grund-Set-up für die meisten Bilder war ein 400w Bowens Blitz mit einem großen Reflektor und einem Wabenfilter auf einem kleinen Galgenstativ als Haar-Licht, ein 400w Bowens Blitz mit einem roten Farbfilter und eine Nebelmaschine in einem alten Space Invaders Spielautomaten. Das restliche Set-up änderte sich ständig während wir uns im Studio bewegten.

Markus Wochele

photovitality1 150x150 15th lightGIANTS Friday night shoot Retro Games   photovitality2 150x150 15th lightGIANTS Friday night shoot Retro Games   photovitality3 150x150 15th lightGIANTS Friday night shoot Retro Games

Thomas Reimann

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Stefan Janeschitz

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Marco Spalluto

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Einen großen Dank an alle Teilnehmer, ganz speziell an Missy Mantis für ihre Beratung.

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Und zu guter Letzt noch das weltbekannte "Making of" Video, dass ihr normalerweise nur auf der Collectors Edition DVD zu sehen bekommen würdet icon wink 15th lightGIANTS Friday night shoot Retro Games

Outfits: www.nakedshameclothing.com
Styling: Missy Mantis - Mantissima

alle 300x200 15th lightGIANTS Friday night shoot Retro Games

17Jan/123

Gemini 200 and 400 review

Back when we were choosing a flash system for the studio (way back in the good old days) we sat down and discussed

  • What do we want?
  • What do we need?
  • How much can we afford?
  • What experiences have we had with different equipment in different studios?
  • What light modifiers are available and what do we want to use?

Between us we had used a few different rental studio with a variety of different brands so we all had a good idea of what direction we wanted to go. It was quickly clear that none of us wanted some cheap "No Name" or "made in China" flashes due to quality control and white balance issues. It was also clear that most of the "No Name" or "made in China" stuff was manufactured with a Bowens compatible bayonet (in fact we already had a lot of light formers with the Bowens bayonet). Although "Alien Bees" started off hight on the list the were soon dropped due to availability, power issues and  availability of light modifiers (at the time in the EU). It was soon a clear what brand we would chose, there were only a few real quality manufacturers that made it through the selection. But only one offered real quality at an acceptable price.

7b6ea1 2c45 13056 side Gemini 200 and 400 review

Bowen 400/400 twin-head starter flash kit

The Bowens Gemini 400/400 twin-head starter flash kit is made to the same high standard as Bowens' professional equipment. It offers robust build quality, simple easy-to-use design and reliably consistent results. It can be the foundation of a growing studio system, while its portability and the versatility of optional battery power make it a good choice for outdoor location shooting.  For your money you get two compact but powerful Gemini 400 flash heads, two aluminium 120-degree reflectors with umbrella mounts, two sturdy metal stands, two mains leads, a camera sync cable and two 90cm silver/white umbrellas with removable covers that can be used as either reflectors or diffusers. The kit comes in a large black holdall bag, and all included weighs approximately 12.5Kgs

We ordered 2 Bowens Gemini 400/400 twin-head starter kit giving us 4 x 400ws as a starting point. This way we could add larger and or smaller Ws flashes in the future if needed. In the last 12 month these flashes have severed our needs fantastic. The performance has not been compromised either with this petite power-house offering impressive flash-durations and recycle times. And precise light control over 5 stops of power using a single simple stepless dial which also controls the 250W proportional modelling lamp. Or you can simply press a switch for the modelling lamp  and use it  100% or off . No complicated digital menu systems - 'simplicity' is the keyword here, the Gemini really is a plug-and-go system, that can suit the needs of every user from a first time studio user through to pro work.

The main problems with  "No Name" or "made in China" studio flashes that I have seen so far is 2 fold.

  • The Quality control leaves a lot to be desired.They pump out as many flashes as thy can as quick as they can and hope people won't return them.
  • Irregular white balance. If your flashes have different colour temperatures or a large difference in the colour temperature you may end up with odd looking images or spending a long time in post production.

The Gemini range offers consistency, reliability and quality to ensure stunning results in any environment. As an optional extra there is a battery pack available that allows you to use the Gemini flash heads as a mobile unit. We dont have one yet but who knows what will happen in the future icon smile Gemini 200 and 400 review . We recently added one 200w Gemini flash head to the collection. This add more control over our lighting set-ups and depth of field in the studio, I am hoping we can add one more in the near future.

Specifications:

Gemini 200 Gemini 400
Max Power (Ws 200Ws 400Ws
Guide Number (m/100 ISO) 54 76
Flash Duration (t=0.5) 0.7 Seks 1.2 Seks
Recycle Time (100%) 1/1200 Sek 1/1000 Sek
DialPowerRange 5 stops, 6Ws - 200Ws 5 stops, 12Ws - 400Ws
Power Control Stepless Stepless
Modelling Control Proportional with Power Proportional with Power
Modelling Modes Full, Off, Proportional Full, Off, Proportional
Digital Display NO NO
Colour Temperature (+/- 300°K) 5600K 5600K
Voltage Stabilisation bis 1% to 1%
Flash Inhibit Circuit Yes Yes
Auto Dump Yes Yes
Sync Voltage 5V DC 5V DC
Ready Indication Ready Beep, Ready LED Ready Beep, Ready LED
Bayonet 'S'-Type 'S'-Type
Operating Voltage 190-250V 50Hz 190-250V 50Hz
Travelpak Compatible                        Yes Yes
Built in Slave Cell Yes Yes
Switchable Slave Cell Yes Yes
EM Noise Suppression Yes Yes
Width 170mm 170mm
Length 310mm 310mm
Height 130mm 130mm
Weight 2.1kg 2.6kg
Product Description BW3660 BW3670
Source:
http://www.bowens.de/content/pages/gemini200.html
http://www.bowens.de/content/pages/gemini400.html

 

Conclusion

  • Simple to use intuitive controls
  • Five stops of power control
  • Lightweight & compact
  • Travelpak Battery compatible
  • Auto Power-save mode
  • Robust Metal Construction
  • Proportional modelling control
  • Recessed switches & sockets
  • Huge range of Bowens and 3rd party accessories
  • Fast Flash-Durations
  • DSLR friendly Low Sync Voltage

 

190-250V 50Hz