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26Jul/113

8th friday night shoot “Hard Rock Lighting” [review]

This time the friday night theme was called "Hard Rock Lighting". We invited a 3 man rock band to the studio and wanted to show how to arrange and lighten up such an rocking shoot. Primary two light setups were shown. The 1st setup we used two strip lights to add a hard rim light to the persons and the key light was our large Octabox which was positioned directly from up in front. The 2nd setup was to simulate a stage light from a gig. Therefore we used a beauty dish as key light, a soft box as fill light and a flash with barn doors and a blue gel behind the scene to to bring some color in. Underneath that colored flash we set up our new fog machine.

Andreas Schott


Philip Dehm

Markus Meier

The three guys, Jannis, Nikita und Atilla brought a ton of music equipment to the studio, 4 Guitars, 2 complete drum sets and many more. To much to use all that stuff during the shoot. Beside that, after a short warm up, they did an awesome job in front of the cam until the last minute of the shooting! And, last but not least, they had a lot of fun as you can see in the pictures! Thank you guys! You did a perfect job!

Marco Spalluto


Prisma Septica

Markus Wochele

Thomas Reimann

After we finished the 2nd setup it was time for an open round. We decided to build up a 3rd setup and tried many different settings, positions and ideas.

The evening was filled with a lot of rock music and we think, it was a blast for everyone! And at the end, as always, a making of video of this workshop. This time filmed and produced by Daniel Neu (Crowbar Productions). Thank you for your time and that fantastic video!

6May/116

Absolute Beginners

SONY DSC

Wow this is the first blog entry written by someone other then one of the four lightGIANTS  .... Thank you "D" for writing such a cool guest blogpost...

By: Deana Maksimović-Vidanović

The Friday night “Studio 101” workshop at the lightgiants studio was my first studio experience. The only studio time I’d had before was sitting to have my passport photo taken. When Scott suggested we do a beginner’s workshop, I jumped at the occasion, together with Carlos and Tim – old acquaintances from the Flickr Klub Karlsruhe.

I started being interested in photography around 2003 but it wasn’t until 2005 that I joined Flickr. After a few years of experimenting with different genres, mostly street photography and urban landscape, I started to concentrate on portraiture, and after my daughter was born, on child photography.

I shoot almost exclusively available light. I find its limitations challenging and believe that an atmosphere of a photograph taken with natural light is something that a studio shot lacks. I won’t claim I was proven wrong last Friday, but my first studio shooting was a very positive, fun experience and I’d gladly do it again.

Before we started, Scott explained the basics – how to set the lights, where to stand, where to place the model, how to set the camera. I realised that setting a studio surrounding takes a lot of precise work – calculations need to be made, you have to keep in mind the physics of light and space at all times. On the other hand, once you’ve learned the basics, you can set your imagination free. Two light sources? Why not three? One of our settings consisted of a softbox in front of the model, a harsher, more direct light at the back, and another smaller light source on the side to lessen the shadows. (Almost) anything goes!

Our models were Tiffie and Oxana and the first light setting was high-key, with a white backdrop. I prefer a more discrete light and a darker surrounding, so my favourite setup was with a dark red background and a frontal triangle of strip lights that created an unusual reflection in the models’ eyes. The girls were very patient and managed to keep smiling for three hours! A model’s job is not as easy as it seems, after all.

I’ve learned a lot – not just the technical know-how, I’ve also learned to appreciate the effort that goes into organising a studio shoot. Our hosts put a lot of love and enthusiasm in what they do. I’m already looking forward to the next workshop and I’m sure there are many more people who would like to learn about shooting in a studio – why not turn this into a regular course? With such good teachers, the waiting list would stretch all the way to France!

5682796593 4319bd760c z Absolute Beginners